Presentations

Abstract

Kilivila, the Austronesian language of the Trobriand Islanders of Papua New Guinea, has a rich inventory of terms - nouns, verbs, adjectives and idiomatic phrases and expressions - to precisely refer to, and to differentiate emotions and inner feelings. This paper describes how the Trobriand Islanders of Papua New Guinea deal with the public display of emotions. Forms of emotion control in public encounters are discussed and explained on the basis of ritual communication which pervades the Trobrianders' verbal and non-verbal behavior. Especially highlighted is the Trobrianders' metalinguistic concept of "biga sopa" with its important role for emotion control in encounters that may run the risk of escalating from argument and conflict to aggression and violence.

Abstract

This talk deals with the dramatic environmental and social changes on the Trobriand Islands in Papua New Guinea which I experienced during 16 long- and short-term field-trips from 1982 to 2012. I first report about the climate change I experienced there over the years, then I provide a survey about the demographic changes on the Trobriands - highlighting the situation in Tauwema, my village of residence on Kaile'una Island, and finally I report on the social impact these dramatic changes have for the Trobraind Islanders and their culture.

Abstract

This talk first discusses briefly the basic problem of how the perceived world is expressed and represented in language and how language refers to the perceived world. Then it presents and exemplifies the systems of nominal classification that can be found in the languages of the world and finally it discusses some central problems of nominal classification.

Abstract

This talk reports on the results of my research in 2006 and 2008 on the verbal expressions - the lexical means - Kilivila, the language of the Trobriand Islanders, offers its speakers to refer to and to describe emotions and inner feelings. Data were elicited with 18 so-called "Ekman's faces" in which the faces of three persons (one woman, two men) illustrate six allegedly universal basic emotions (anger, disgust, fear, happiness, sadness, surprise) and film stimuli staging and demonstrating standard emotions based on English. This latter stimulus set is called “Mind Reading Emotions Library (MREL)”. It was developed by Baron-Cohen and his co-workers in 2004. After the presentation of the data elicited with the "Ekman faces" and the MREL film clips I will discuss them on the basis of the following three research questions: How "effable" are emotions or can we observe ineffability - the difficulty or impossibility of putting experiences into words - within the domain of emotions? Do consultants agree with one another how they name emotions? Are facial expressions or situations better cues for labeling? In addition to the data elicited with these tools I also present lexical means the Trobriand Islanders use to refer to emotions and inner feelings which are documented in my overall corpus of the Kilivila language.

Abstract

The Trobriand Islanders' eschatological belief system explains in detail what happens when someone dies. Bronislaw Malinowski described essentials of this eschatology in his famous articles "Baloma: the Spirits of the Dead in the Trobriand Islands" and "Myth in Primitive Psychology" There he also presented the Trobrianders' belief that a spirit of the dead, a "baloma" can be reborn; he claimed that Trobrianders are unaware of the father's role as genitor. In this talk I present not only a critical review of Malinowski's ethnography of Trobriand eschatology, finally settling the "virgin birth" controversy, I also document highly ritualized songs - the "wosi milamala" - the harvest festival songs. They are sung in an archaic variety of Kilivila - the "biga baloma" - the language of the spirits of the dead. Malinowski briefly refers to these songs but does not mention that they codify many aspects of Trobriand eschatology. The songs are still sung during the harvest festival and after the death of a Trobriander, but there are only a few people left who still understand the "wosi milamala". They are a moribund genre of Kilivila - and with them the Trobriand Islanders' complex indigenous eschatology will vanish.