Publications

Abstract

We investigated how listeners of two unrelated languages, Dutch and Korean, process phonotactically legitimate and illegitimate sounds spoken in Dutch and American English. To Dutch listeners, unreleased word-final stops are phonotactically illegal because word-final stops in Dutch are generally released in isolation, but to Korean listeners, released final stops are illegal because word-final stops are never released in Korean. Two phoneme monitoring experiments showed a phonotactic effect: Dutch listeners detected released stops more rapidly than unreleased stops whereas the reverse was true for Korean listeners. Korean listeners with English stimuli detected released stops more accurately than unreleased stops, however, suggesting that acoustic-phonetic cues associated with released stops improve detection accuracy. We propose that in non-native speech perception, phonotactic legitimacy in the native language speeds up phoneme recognition, the richness of acousticphonetic cues improves listening accuracy, and familiarity with the non-native language modulates the relative influence of these two factors.

Abstract

The results of a word-spotting experiment are presented in which Dutch listeners tried to spot different types of bisyllabic Dutch words embedded in different types of nonsense contexts. Embedded verbs were not reliably harder to spot than embedded nouns; this suggests that nouns and verbs are recognised via the same basic processes. Iambic words were no harder to spot than trochaic words, suggesting that trochaic words are not in principle easier to recognise than iambic words. Words were harder to spot in consonantal contexts (i.e., contexts which themselves could not be words) than in longer contexts which contained at least one vowel (i.e., contexts which, though not words, were possible words of Dutch). A control experiment showed that this difference was not due to acoustic differences between the words in each context. The results support the claim that spoken-word recognition is sensitive to the viability of sound sequences as possible words.