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Friederici, A., & Levelt, W. J. M. (1987). Resolving perceptual conflicts: The cognitive mechanism of spatial orientation. Aviation, Space, and Environmental Medicine, 58(9), A164-A169.
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Friederici, A., & Levelt, W. J. M. (1987). Spatial description in microgravity: Aspects of cognitive adaptation. In P. R. Sahm, R. Jansen, & M. Keller (
Eds. ), Proceedings of the Norderney Symposium on Scientific Results of the German Spacelab Mission D1 (pp. 518-524). Köln, Germany: Wissenschaftliche Projektführung DI c/o DFVLR. -
Friederici, A., & Levelt, W. J. M. (1987). Sprache. In K. Immelmann, K. Scherer, & C. Vogel (
Eds. ), Funkkolleg Psychobiologie (pp. 58-87). Weinheim: Beltz. -
Levelt, W. J. M. (1987). Hochleistung in Millisekunden - Sprechen und Sprache verstehen. In Jahrbuch der Max-Planck-Gesellschaft (pp. 61-77). Göttingen: Vandenhoeck & Ruprecht.
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Levelt, W. J. M., & d'Arcais, F. (1987). Snelheid en uniciteit bij lexicale toegang. In H. Crombag, L. Van der Kamp, & C. Vlek (
Eds. ), De psychologie voorbij: Ontwikkelingen rond model, metriek en methode in de gedragswetenschappen (pp. 55-68). Lisse: Swets & Zeitlinger. -
Levelt, W. J. M., & Schriefers, H. (1987). Stages of lexical access. In G. A. Kempen (
Ed. ), Natural language generation: new results in artificial intelligence, psychology and linguistics (pp. 395-404). Dordrecht: Nijhoff. -
Levelt, W. J. M., & Plomp, R. (1964). De waardering van muzikale intervallen. Hypothese: Orgaan van de Psychologische Faculteit der Leidse Studenten, 9(3/4), 30-39.
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Levelt, W. J. M. (1962). Motion breaking and the perception of causality. In A. Michotte (
Ed. ), Causalité, permanence et réalité phénoménales: Etudes de psychologie expérimentale (pp. 244-258). Louvain: Publications Universitaires. -
Levelt, W. J. M., & Plomp, R. (1962). Musical consonance and critical bandwidth. In Proceedings of the 4th International Congress Acoustics (pp. 55-55).
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Van de Geer, J. P., Levelt, W. J. M., & Plomp, R. (1962). The connotation of musical consonance. Acta Psychologica, 20, 308-319.
Abstract
As a preliminary to further research on musical consonance an explanatory investigation was made on the different modes of judgment of musical intervals. This was done by way of a semantic differential. Subjects rated 23 intervals against 10 scales. In a factor analysis three factors appeared: pitch, evaluation and fusion. The relation between these factors and some physical characteristics has been investigated. The scale consonant-dissonant showed to be purely evaluative (in opposition to Stumpf's theory). This evaluative connotation is not in accordance with the musicological meaning of consonance. Suggestions to account for this difference have been given.
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