Displaying 1 - 17 of 17
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Flores d'Arcais, G. B., & Levelt, W. J. M. (
Eds. ). (1970). Advances in psycholinguistics. Amsterdam: North-Holland.Abstract
Research papers, Bressanone conference on psycholinguistics, summer courses of the University of Padova, July 1969 -
Levelt, W. J. M. (1970). A scaling approach to the study of syntactic relations. In G. B. Flores d'Arcais, & W. J. M. Levelt (
Eds. ), Advances in psycholinguistics (pp. 109-121). Amsterdam: North Holland. -
Levelt, W. J. M., Zwanenburg, W., & Ouweneel, G. R. E. (1970). Ambiguous surface structure and phonetic form in French. Foundations of Language, 6(2), 260-273.
Abstract
In modern approaches to phonology a lack of clarity exists on the issue of whether phonetic facts are psychological or physical realities. The results from an experiment suggest that phonetic facts can be considered as psychological realities, but with the restriction that they can (but not necessarily always do) take acoustical shape. More specifically, the syntactic material consisted of ambiguous French sentences of the following sort: On a tourné ce film intéressant pour les étudiants. They were spoken (a) in disambiguating contexts, without the (four) readers noticing the ambiguities, and (b) without context, but with the instruction to make a conscious effort to disambiguate. By tape splicing, the contexts were removed from the context-embedded sentences. Twenty-eight native speakers of French listened to the sentences and judged whether one or the other meaning had been intended by the speaker. Subjects performed significantly above chance: 60% correct identifications for context-embedded sentences, 75% for context-free sentences. Pitch-amplitude analyses were made to determine the acoustical differences involved. -
Levelt, W. J. M. (1970). Hierarchical chunking in sentence processing. Perception & Psychophysics, 8(2), 99-103.
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Levelt, W. J. M. (1970). Hierarchical clustering algorithms in the psychology of grammar. In G. B. Flores d'Arcais, & W. J. M. Levelt (
Eds. ), Advances in psycholinguistics (pp. 101-108). Amsterdam: North Holland. -
Noordman, L. G. M., & Levelt, W. J. M. (1970). Noun categorization by noun-verb intersection for the Dutch language. Heymans Bulletins, HB-70-59EX.
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Levelt, W. J. M. (1966). Generatieve grammatica en psycholinguïstiek I: Inleiding in de generatieve grammatica. Nederlands Tijdschrift voor de Psychologie en haar Grensgebieden, 21, 317-337.
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Levelt, W. J. M. (1966). Generatieve grammatica en psycholinguïstiek II. Psycholinguïstisch onderzoek. Nederlands Tijdschrift voor de Psychologie en haar Grensgebieden, 21, 367-400.
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Levelt, W. J. M., & Plomp, R. (1966). Les dimensions dans la perception des intervalles musicaux. Sciences de l'art, 3, 172-182.
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Levelt, W. J. M. (1966). The alternation process in binocular rivalry. British Journal of Psychology, 57(3/4), 225-238.
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Levelt, W. J. M. (1966). Some demonstrations of the complementary functioning of the eyes. Perception & Psychophysics, 1, 39-40.
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Levelt, W. J. M. (1966). The perceptual conflict in binocular rivalry. In M. A. Bouman (
Ed. ), Studies in perception: Dedicated to M.A. Bouman (pp. 47-60). Soesterberg: Institute for Perception RVO-TNO. -
Levelt, W. J. M., Van de Geer, J. P., & Plomp, R. (1966). Triadic comparisons of musical intervals. British Journal of Mathematical & Statistical Psychology, 19(2), 163-179.
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Plomp, R., & Levelt, W. J. M. (1966). Perception of tonal consonance. In M. A. Bouman (
Ed. ), Studies in Perception - dedicated to M.A. Bouman (pp. 105-118). Soesterberg: Institute for Perception RVO-TNO. -
Levelt, W. J. M. (1962). Motion breaking and the perception of causality. In A. Michotte (
Ed. ), Causalité, permanence et réalité phénoménales: Etudes de psychologie expérimentale (pp. 244-258). Louvain: Publications Universitaires. -
Levelt, W. J. M., & Plomp, R. (1962). Musical consonance and critical bandwidth. In Proceedings of the 4th International Congress Acoustics (pp. 55-55).
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Van de Geer, J. P., Levelt, W. J. M., & Plomp, R. (1962). The connotation of musical consonance. Acta Psychologica, 20, 308-319.
Abstract
As a preliminary to further research on musical consonance an explanatory investigation was made on the different modes of judgment of musical intervals. This was done by way of a semantic differential. Subjects rated 23 intervals against 10 scales. In a factor analysis three factors appeared: pitch, evaluation and fusion. The relation between these factors and some physical characteristics has been investigated. The scale consonant-dissonant showed to be purely evaluative (in opposition to Stumpf's theory). This evaluative connotation is not in accordance with the musicological meaning of consonance. Suggestions to account for this difference have been given.
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