Pim Levelt

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Displaying 1 - 15 of 15
  • Levelt, W. J. M., & Flores d'Arcais, G. B. (1975). Some psychologists' reactions to the Symposium of Dynamic Aspects of Speech Perception. In A. Cohen, & S. Nooteboom (Eds.), Structure and process in speech perception (pp. 345-351). Berlin: Springer.
  • Levelt, W. J. M. (1975). Systems, skills and language learning. In A. Van Essen, & J. Menting (Eds.), The context of foreign language learning (pp. 83-99). Assen: Van Gorcum.
  • Levelt, W. J. M., & Kempen, G. (1975). Semantic and syntactic aspects of remembering sentences: A review of some recent continental research. In A. Kennedy, & W. Wilkes (Eds.), Studies in long term memory (pp. 201-216). New York: Wiley.
  • Levelt, W. J. M. (1975). What became of LAD? [Essay]. Lisse: Peter de Ridder Press.

    Abstract

    PdR Press publications in cognition ; 1
  • Levelt, W. J. M. (1966). Generatieve grammatica en psycholinguïstiek I: Inleiding in de generatieve grammatica. Nederlands Tijdschrift voor de Psychologie en haar Grensgebieden, 21, 317-337.
  • Levelt, W. J. M. (1966). Generatieve grammatica en psycholinguïstiek II. Psycholinguïstisch onderzoek. Nederlands Tijdschrift voor de Psychologie en haar Grensgebieden, 21, 367-400.
  • Levelt, W. J. M., & Plomp, R. (1966). Les dimensions dans la perception des intervalles musicaux. Sciences de l'art, 3, 172-182.
  • Levelt, W. J. M. (1966). The alternation process in binocular rivalry. British Journal of Psychology, 57(3/4), 225-238.
  • Levelt, W. J. M. (1966). Some demonstrations of the complementary functioning of the eyes. Perception & Psychophysics, 1, 39-40.
  • Levelt, W. J. M. (1966). The perceptual conflict in binocular rivalry. In M. A. Bouman (Ed.), Studies in perception: Dedicated to M.A. Bouman (pp. 47-60). Soesterberg: Institute for Perception RVO-TNO.
  • Levelt, W. J. M., Van de Geer, J. P., & Plomp, R. (1966). Triadic comparisons of musical intervals. British Journal of Mathematical & Statistical Psychology, 19(2), 163-179.
  • Plomp, R., & Levelt, W. J. M. (1966). Perception of tonal consonance. In M. A. Bouman (Ed.), Studies in Perception - dedicated to M.A. Bouman (pp. 105-118). Soesterberg: Institute for Perception RVO-TNO.
  • Levelt, W. J. M. (1962). Motion breaking and the perception of causality. In A. Michotte (Ed.), Causalité, permanence et réalité phénoménales: Etudes de psychologie expérimentale (pp. 244-258). Louvain: Publications Universitaires.
  • Levelt, W. J. M., & Plomp, R. (1962). Musical consonance and critical bandwidth. In Proceedings of the 4th International Congress Acoustics (pp. 55-55).
  • Van de Geer, J. P., Levelt, W. J. M., & Plomp, R. (1962). The connotation of musical consonance. Acta Psychologica, 20, 308-319.

    Abstract

    As a preliminary to further research on musical consonance an explanatory investigation was made on the different modes of judgment of musical intervals. This was done by way of a semantic differential. Subjects rated 23 intervals against 10 scales. In a factor analysis three factors appeared: pitch, evaluation and fusion. The relation between these factors and some physical characteristics has been investigated. The scale consonant-dissonant showed to be purely evaluative (in opposition to Stumpf's theory). This evaluative connotation is not in accordance with the musicological meaning of consonance. Suggestions to account for this difference have been given.

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