Displaying 1 - 9 of 9
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Levelt, W. J. M., & Flores d'Arcais, G. B. (1975). Some psychologists' reactions to the Symposium of Dynamic Aspects of Speech Perception. In A. Cohen, & S. Nooteboom (
Eds. ), Structure and process in speech perception (pp. 345-351). Berlin: Springer. -
Levelt, W. J. M. (1975). Systems, skills and language learning. In A. Van Essen, & J. Menting (
Eds. ), The context of foreign language learning (pp. 83-99). Assen: Van Gorcum. -
Levelt, W. J. M., & Kempen, G. (1975). Semantic and syntactic aspects of remembering sentences: A review of some recent continental research. In A. Kennedy, & W. Wilkes (
Eds. ), Studies in long term memory (pp. 201-216). New York: Wiley. -
Levelt, W. J. M. (1975). What became of LAD? [Essay]. Lisse: Peter de Ridder Press.
Abstract
PdR Press publications in cognition ; 1 -
Levelt, W. J. M. (1967). Note on the distribution of dominance times in binocular rivalry. British Journal of Psychology, 58, 143-145.
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Levelt, W. J. M. (1967). Over het waarnemen van zinnen [Inaugural lecture]. Groningen: Wolters.
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Levelt, W. J. M. (1962). Motion breaking and the perception of causality. In A. Michotte (
Ed. ), Causalité, permanence et réalité phénoménales: Etudes de psychologie expérimentale (pp. 244-258). Louvain: Publications Universitaires. -
Levelt, W. J. M., & Plomp, R. (1962). Musical consonance and critical bandwidth. In Proceedings of the 4th International Congress Acoustics (pp. 55-55).
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Van de Geer, J. P., Levelt, W. J. M., & Plomp, R. (1962). The connotation of musical consonance. Acta Psychologica, 20, 308-319.
Abstract
As a preliminary to further research on musical consonance an explanatory investigation was made on the different modes of judgment of musical intervals. This was done by way of a semantic differential. Subjects rated 23 intervals against 10 scales. In a factor analysis three factors appeared: pitch, evaluation and fusion. The relation between these factors and some physical characteristics has been investigated. The scale consonant-dissonant showed to be purely evaluative (in opposition to Stumpf's theory). This evaluative connotation is not in accordance with the musicological meaning of consonance. Suggestions to account for this difference have been given.
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