Displaying 1 - 13 of 13
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Levelt, W. J. M. (1984). Geesteswetenschappelijke theorie als kompas voor de gangbare mening. In S. Dresden, & D. Van de Kaa (
Eds. ), Wetenschap ten goede en ten kwade (pp. 42-52). Amsterdam: North Holland. -
Levelt, W. J. M. (1984). Some perceptual limitations on talking about space. In A. J. Van Doorn, W. A. Van de Grind, & J. J. Koenderink (
Eds. ), Limits in perception (pp. 323-358). Utrecht: VNU Science Press. -
Levelt, W. J. M. (1984). Spontaneous self-repairs in speech: Processes and representations. In M. P. R. Van den Broecke, & A. Cohen (
Eds. ), Proceedings of the 10th International Congress of Phonetic Sciences (pp. 105-117). Dordrecht: Foris. -
Levelt, W. J. M. (1984). Sprache und Raum. Texten und Schreiben, 20, 18-21.
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Flores d'Arcais, G. B., & Levelt, W. J. M. (
Eds. ). (1970). Advances in psycholinguistics. Amsterdam: North-Holland.Abstract
Research papers, Bressanone conference on psycholinguistics, summer courses of the University of Padova, July 1969 -
Levelt, W. J. M. (1970). A scaling approach to the study of syntactic relations. In G. B. Flores d'Arcais, & W. J. M. Levelt (
Eds. ), Advances in psycholinguistics (pp. 109-121). Amsterdam: North Holland. -
Levelt, W. J. M., Zwanenburg, W., & Ouweneel, G. R. E. (1970). Ambiguous surface structure and phonetic form in French. Foundations of Language, 6(2), 260-273.
Abstract
In modern approaches to phonology a lack of clarity exists on the issue of whether phonetic facts are psychological or physical realities. The results from an experiment suggest that phonetic facts can be considered as psychological realities, but with the restriction that they can (but not necessarily always do) take acoustical shape. More specifically, the syntactic material consisted of ambiguous French sentences of the following sort: On a tourné ce film intéressant pour les étudiants. They were spoken (a) in disambiguating contexts, without the (four) readers noticing the ambiguities, and (b) without context, but with the instruction to make a conscious effort to disambiguate. By tape splicing, the contexts were removed from the context-embedded sentences. Twenty-eight native speakers of French listened to the sentences and judged whether one or the other meaning had been intended by the speaker. Subjects performed significantly above chance: 60% correct identifications for context-embedded sentences, 75% for context-free sentences. Pitch-amplitude analyses were made to determine the acoustical differences involved. -
Levelt, W. J. M. (1970). Hierarchical chunking in sentence processing. Perception & Psychophysics, 8(2), 99-103.
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Levelt, W. J. M. (1970). Hierarchical clustering algorithms in the psychology of grammar. In G. B. Flores d'Arcais, & W. J. M. Levelt (
Eds. ), Advances in psycholinguistics (pp. 101-108). Amsterdam: North Holland. -
Noordman, L. G. M., & Levelt, W. J. M. (1970). Noun categorization by noun-verb intersection for the Dutch language. Heymans Bulletins, HB-70-59EX.
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Levelt, W. J. M. (1962). Motion breaking and the perception of causality. In A. Michotte (
Ed. ), Causalité, permanence et réalité phénoménales: Etudes de psychologie expérimentale (pp. 244-258). Louvain: Publications Universitaires. -
Levelt, W. J. M., & Plomp, R. (1962). Musical consonance and critical bandwidth. In Proceedings of the 4th International Congress Acoustics (pp. 55-55).
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Van de Geer, J. P., Levelt, W. J. M., & Plomp, R. (1962). The connotation of musical consonance. Acta Psychologica, 20, 308-319.
Abstract
As a preliminary to further research on musical consonance an explanatory investigation was made on the different modes of judgment of musical intervals. This was done by way of a semantic differential. Subjects rated 23 intervals against 10 scales. In a factor analysis three factors appeared: pitch, evaluation and fusion. The relation between these factors and some physical characteristics has been investigated. The scale consonant-dissonant showed to be purely evaluative (in opposition to Stumpf's theory). This evaluative connotation is not in accordance with the musicological meaning of consonance. Suggestions to account for this difference have been given.
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