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Levelt, W. J. M. (2020). On becoming a physicist of mind. Annual Review of Linguistics, 6(1), 1-23. doi:10.1146/annurev-linguistics-011619-030256.
Abstract
In 1976, the German Max Planck Society established a new research enterprise in psycholinguistics, which became the Max Planck Institute for Psycholinguistics in Nijmegen, the Netherlands. I was fortunate enough to be invited to direct this institute. It enabled me, with my background in visual and auditory psychophysics and the theory of formal grammars and automata, to develop a long-term chronometric endeavor to dissect the process of speaking. It led, among other work, to my book Speaking (1989) and to my research team's article in Brain and Behavioral Sciences “A Theory of Lexical Access in Speech Production” (1999). When I later became president of the Royal Netherlands Academy of Arts and Sciences, I helped initiate the Women for Science research project of the Inter Academy Council, a project chaired by my physicist sister at the National Institute of Standards and Technology. As an emeritus I published a comprehensive History of Psycholinguistics (2013). As will become clear, many people inspired and joined me in these undertakings. -
Levelt, W. J. M. (2020). The alpha and omega of Jerome Bruner's contributions to the Max Planck Institute for Psycholinguistics. In M. E. Poulsen (
Ed. ), The Jerome Bruner Library: From New York to Nijmegen (pp. 11-18). Nijmegen: Max Planck Institute for Psycholinguistics.Abstract
Presentation of the official opening of the Jerome Bruner Library, January 8th, 2020Additional information
Link to booklet - The Jerome Bruner Library: From New York to Nijmegen -
Levelt, W. J. M. (1976). Formal grammars and the natural language user: A review. In A. Marzollo (
Ed. ), Topics in artificial intelligence (pp. 226-290). Vienna: Springer. -
Levelt, W. J. M., Schreuder, R., & Hoenkamp, E. (1976). Struktur und Gebrauch von Bewegungsverben. Zeitschrift für Literaturwissenschaft und Linguistik, 6(23/24), 131-152.
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Levelt, W. J. M., & Kempen, G. (1976). Taal. In J. Michon, E. Eijkman, & L. De Klerk (
Eds. ), Handboek der Psychonomie (pp. 492-523). Deventer: Van Loghum Slaterus. -
Stassen, H., & Levelt, W. J. M. (1976). Systemen, automaten en grammatica's. In J. Michon, E. Eijkman, & L. De Klerk (
Eds. ), Handboek der psychonomie (pp. 100-127). Deventer: Van Loghum Slaterus. -
De Weert, C., & Levelt, W. J. M. (1976). Comparison of normal and dichoptic colour mixing. Vision Research, 16, 59-70. doi:10.1016/0042-6989(76)90077-8.
Abstract
Dichoptic mixtures of equiluminous components of different wavelengths were matched with a binocularly presented "monocular" mixture of appropriate chosen amounts of the same colour components. Stimuli were chosen from the region of 490-630 nm. Although satisfactory colour matches could be obtained, dichoptic mixtures differed from normal mixtures to a considerable extent. Midspectral stimuli tended to be more dominant in the dichoptic mixtures than either short or long wavelength stimuli. An attempt was made to describe the relation between monocular and dichoptic mixtures with one function containing a wavelength variable and an eye dominance parameter. -
De Weert, C., & Levelt, W. J. M. (1976). Dichoptic brightness combinations for unequally coloured lights. Vision Research, 16, 1077-1086.
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Levelt, W. J. M. (1962). Motion breaking and the perception of causality. In A. Michotte (
Ed. ), Causalité, permanence et réalité phénoménales: Etudes de psychologie expérimentale (pp. 244-258). Louvain: Publications Universitaires. -
Levelt, W. J. M., & Plomp, R. (1962). Musical consonance and critical bandwidth. In Proceedings of the 4th International Congress Acoustics (pp. 55-55).
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Van de Geer, J. P., Levelt, W. J. M., & Plomp, R. (1962). The connotation of musical consonance. Acta Psychologica, 20, 308-319.
Abstract
As a preliminary to further research on musical consonance an explanatory investigation was made on the different modes of judgment of musical intervals. This was done by way of a semantic differential. Subjects rated 23 intervals against 10 scales. In a factor analysis three factors appeared: pitch, evaluation and fusion. The relation between these factors and some physical characteristics has been investigated. The scale consonant-dissonant showed to be purely evaluative (in opposition to Stumpf's theory). This evaluative connotation is not in accordance with the musicological meaning of consonance. Suggestions to account for this difference have been given.
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