Displaying 1 - 5 of 5
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Levelt, W. J. M. (2022). Onderwerp het gehele oeuvre aan een integriteitsonderzoek (part of “Fraude-experts: Leiden moet al het werk van Colzato onderzoeken én openbaren” by S. Van Loosbroek, & V. Bongers). Mare: Leids Universitair Weekblad 23 February 2022.
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Levelt, W. J. M. (2018). Is language natural to man? Some historical considerations. Current Opinion in Behavioral Sciences, 21, 127-131. doi:10.1016/j.cobeha.2018.04.003.
Abstract
Since the Enlightenment period, natural theories of speech and language evolution have florished in the language sciences. Four ever returning core issues are highlighted in this paper: Firstly, Is language natural to man or just an invention? Secondly, Is language a specific human ability (a ‘language instinct’) or does it arise from general cognitive capacities we share with other animals? Thirdly, Has the evolution of language been a gradual process or did it rather suddenly arise, due to some ‘evolutionary twist’? Lastly, Is the child's language acquisition an appropriate model for language evolution? -
Levelt, W. J. M. (1962). Motion breaking and the perception of causality. In A. Michotte (
Ed. ), Causalité, permanence et réalité phénoménales: Etudes de psychologie expérimentale (pp. 244-258). Louvain: Publications Universitaires. -
Levelt, W. J. M., & Plomp, R. (1962). Musical consonance and critical bandwidth. In Proceedings of the 4th International Congress Acoustics (pp. 55-55).
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Van de Geer, J. P., Levelt, W. J. M., & Plomp, R. (1962). The connotation of musical consonance. Acta Psychologica, 20, 308-319.
Abstract
As a preliminary to further research on musical consonance an explanatory investigation was made on the different modes of judgment of musical intervals. This was done by way of a semantic differential. Subjects rated 23 intervals against 10 scales. In a factor analysis three factors appeared: pitch, evaluation and fusion. The relation between these factors and some physical characteristics has been investigated. The scale consonant-dissonant showed to be purely evaluative (in opposition to Stumpf's theory). This evaluative connotation is not in accordance with the musicological meaning of consonance. Suggestions to account for this difference have been given.
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