Publications

Abstract

In 1976, the German Max Planck Society established a new research enterprise in psycholinguistics, which became the Max Planck Institute for Psycholinguistics in Nijmegen, the Netherlands. I was fortunate enough to be invited to direct this institute. It enabled me, with my background in visual and auditory psychophysics and the theory of formal grammars and automata, to develop a long-term chronometric endeavor to dissect the process of speaking. It led, among other work, to my book Speaking (1989) and to my research team's article in Brain and Behavioral Sciences “A Theory of Lexical Access in Speech Production” (1999). When I later became president of the Royal Netherlands Academy of Arts and Sciences, I helped initiate the Women for Science research project of the Inter Academy Council, a project chaired by my physicist sister at the National Institute of Standards and Technology. As an emeritus I published a comprehensive History of Psycholinguistics (2013). As will become clear, many people inspired and joined me in these undertakings.

Abstract

Presentation of the official opening of the Jerome Bruner Library, January 8th, 2020

Abstract

Dichoptic mixtures of equiluminous components of different wavelengths were matched with a binocularly presented "monocular" mixture of appropriate chosen amounts of the same colour components. Stimuli were chosen from the region of 490-630 nm. Although satisfactory colour matches could be obtained, dichoptic mixtures differed from normal mixtures to a considerable extent. Midspectral stimuli tended to be more dominant in the dichoptic mixtures than either short or long wavelength stimuli. An attempt was made to describe the relation between monocular and dichoptic mixtures with one function containing a wavelength variable and an eye dominance parameter.

Abstract

An introductory study of the perception of stochastically specified events is reported. The initial problem was to determine whether the perceiver can split visual input data of this kind into random and determined components. The inability of subjects to do so with the stimulus material used (a filmlike sequence of dot patterns), led to the more general question of how subjects code this kind of visual material. To meet the difficulty of defining the subjects' responses, two experiments were designed. In both, patterns were presented as a rapid sequence of dots on a screen. The patterns were more or less disturbed by “noise,” i.e. the dots did not appear exactly at their proper places. In the first experiment the response was a rating on a semantic scale, in the second an identification from among a set of alternative patterns. The results of these experiments give some insight in the coding systems adopted by the subjects. First, noise appears to be detrimental to pattern recognition, especially to patterns with little spread. Second, this shows connections with the factors obtained from analysis of the semantic ratings, e.g. easily disturbed patterns show a large drop in the semantic regularity factor, when only a little noise is added.