Publications

Abstract

In deze bijdrage wordt een modulair model van zinsproductie besproken. De planningsprocessen, die aan de productie van een zin voorafgaan, kunnen in twee hoofdcomponenten onderverdeeld worden: deconceptualisering (het bedenken van de inhoud van de uiting) en de formulering (het vastleggen van de linguïstische vorm). Het formuleringsproces bestaat weer uit twee componenten, te weten de grammatische en fonologische codering. Ook deze componenten bestaan elk weer uit een aantal subcomponenten. Dit artikel beschrijft wat de specifieke taak van iedere component is, hoe deze uitgevoerd wordt en hoe de componenten samenwerken. Tevens worden enkele belangrijke methoden van taalproductie-onderzoek besproken.

Abstract

P. A. Starreveld and W. La Heij (1995) tested the seriality view of lexical access in speech production, according to which lexical selection and the encoding of a word's form proceed in serial order without feedback. In 2 experiments, they looked at the combined effect of semantic and orthographic relatedness of written distracter words in tasks that required conceptually driven naming. They found an interaction between semantic relatedness and orthographic relatedness and argued that the observed interaction refutes the seriality view of lexical access. In this comment, the authors argue that Starreveld and La Heij's rejection of serial access was based on an oversimplified conception of the seriality view and that interaction, rather than additivity, is predicted by existing conceptions of serial access.

Abstract

The CELEX lexical database includes a list of Dutch syllables and their frequencies, based on syllabification of isolated word forms. In connected speech, however, sentence-level phonological rules can modify the syllables and their token frequencies. In order to estimate the changes syllables may undergo in connected speech, an empirical investigation was carried out. A large Dutch text corpus (TROUW) was transcribed, processed by word level rules, and syllabified. The resulting lexeme syllables were evaluated by comparing them to the CELEX lexical database for Dutch. Then additional phonological sentence-level rules were applied to the TROUW corpus, and the frequencies of the resulting connected speech syllables were compared with those of the lexeme syllables from TROUW. The overall correlation between lexeme and speech syllables was very high. However, speech syllables generally had more complex CV structures than lexeme syllables. Implications of the results for research involving syllables are discussed. With respect to the notion of a mental syllabary (a store for precompiled articulatory programs for syllables, see Levelt & Wheeldon, 1994) this study revealed an interesting statistical result. The calculation of the cumulative syllable frequencies showed that 85% of the syllable tokens in Dutch can be covered by the 500 most frequent syllable types, which makes the idea of a syllabary very attractive.

Abstract

The role of gravity in spatial coordinate assignment and the mental representation of space were studiedin three experiments, varying different perceptual cues systematically: the retinal, the visual background, the vestibular, and proprioceptive information. Verbal descriptions of visually presented arrays were required under different head positions (straight/tilt) and under different gravitational conditions (gravity present/gravity absent). The results of two experiments conducted with 2 subjects who participated in a space flight revealed that subjects are able to adequately assign positions in space in the absence of gravitational information, and that they do this by using their head—retinal coordinates as primary references. This indicates that they cognitively adapted to the perceptually new situation.The findings from a third experiment conducted with a larger group of subjects under a condition in which the gravitational information was present but irrelevant to the task being solved (subjects were in a-horizontal 8upine-position) show that subjects, in general, are flexible in using cues other than gravitational ones as references when the latter cannot serve as a referential system. These findings, together with the observation that consistent spatial assignment is possible evenimmediately after first exposure to the perceptually totally novel situation of weightlessness, seem to suggest that the mental representation of space, onto which given perceptual information is mapped, is independent of a particular percept.

Abstract

According to certain theories of language production, lexical access to a content word consists of two independent and serially ordered stages. In the first, semantically driven stage, so-called lemmas are retrieved, i.e., lexical items that are specified with respect to syntactic and semantic properties, but not with respect to phonological characteristics. In the second stage, the corresponding wordforms, the so-called lexemes, are retrieved. This implies that the access to a content word involves an early stage of exclusively semantic activation and a later stage of exclusively phonological activation. This seriality assumption was tested experimentally, using a picture-word interference paradigm in which the interfering words were presented auditorily. The results show an interference effect of semantically related words on picture naming latencies at an early SOA (− 150 ms), and a facilitatory effect of phonologically related words at later SOAs (0 ms, + 150 ms). On the basis of these results it can be concluded that there is indeed a stage of lexical access to a content word where only its meaning is activated, followed by a stage where only its form is activated. These findings can be seen as empirical support for a two-stage model of lexical access, or, alternatively, as putting constraints on the parameters in a network model of lexical access, such as the model proposed by Dell and Reich.

Abstract

An introductory study of the perception of stochastically specified events is reported. The initial problem was to determine whether the perceiver can split visual input data of this kind into random and determined components. The inability of subjects to do so with the stimulus material used (a filmlike sequence of dot patterns), led to the more general question of how subjects code this kind of visual material. To meet the difficulty of defining the subjects' responses, two experiments were designed. In both, patterns were presented as a rapid sequence of dots on a screen. The patterns were more or less disturbed by “noise,” i.e. the dots did not appear exactly at their proper places. In the first experiment the response was a rating on a semantic scale, in the second an identification from among a set of alternative patterns. The results of these experiments give some insight in the coding systems adopted by the subjects. First, noise appears to be detrimental to pattern recognition, especially to patterns with little spread. Second, this shows connections with the factors obtained from analysis of the semantic ratings, e.g. easily disturbed patterns show a large drop in the semantic regularity factor, when only a little noise is added.