Presentations

Abstract

This talk reports on the results of my research in 2006 and 2008 on the verbal expressions - the lexical means - Kilivila, the language of the Trobriand Islanders, offers its speakers to refer to and to describe emotions and inner feelings. Data were elicited with 18 so-called "Ekman's faces" in which the faces of three persons (one woman, two men) illustrate six allegedly universal basic emotions (anger, disgust, fear, happiness, sadness, surprise) and film stimuli staging and demonstrating standard emotions based on English. This latter stimulus set is called “Mind Reading Emotions Library (MREL)”. It was developed by Baron-Cohen and his co-workers in 2004. After the presentation of the data elicited with the "Ekman faces" and the MREL film clips I will discuss them on the basis of the following three research questions: How "effable" are emotions or can we observe ineffability - the difficulty or impossibility of putting experiences into words - within the domain of emotions? Do consultants agree with one another how they name emotions? Are facial expressions or situations better cues for labeling? In addition to the data elicited with these tools I also present lexical means the Trobriand Islanders use to refer to emotions and inner feelings which are documented in my overall corpus of the Kilivila language.

Abstract

The Trobriand Islanders' eschatological belief system explains in detail what happens when someone dies. Bronislaw Malinowski described essentials of this eschatology in his famous articles "Baloma: the Spirits of the Dead in the Trobriand Islands" and "Myth in Primitive Psychology" There he also presented the Trobrianders' belief that a spirit of the dead, a "baloma" can be reborn; he claimed that Trobrianders are unaware of the father's role as genitor. In this talk I present not only a critical review of Malinowski's ethnography of Trobriand eschatology, finally settling the "virgin birth" controversy, I also document highly ritualized songs - the "wosi milamala" - the harvest festival songs. They are sung in an archaic variety of Kilivila - the "biga baloma" - the language of the spirits of the dead. Malinowski briefly refers to these songs but does not mention that they codify many aspects of Trobriand eschatology. The songs are still sung during the harvest festival and after the death of a Trobriander, but there are only a few people left who still understand the "wosi milamala". They are a moribund genre of Kilivila - and with them the Trobriand Islanders' complex indigenous eschatology will vanish.

Abstract

After a summary of the research on frames of spatial reference that was done at the Institute and an introduction of these 3 systems of spatial reference absolute systems of spatial references that are found in Oceanic languages are presented and discussed

Abstract

The Trobriand Islanders' concept of "karewaga" can be glossed not only as " authority" but also as " responsibility, jurisdiction, competence, sphere of influence", and so on. After a lexical semantic analysis of this concept based on the actual usage of the term in everyday Kilivila contexts of social interaction this paper points out that many of the ethical principles which are rooted in Western philosophy and thought and which should guide any field research - be it anthropologically, linguistically, cognitively or sociologically oriented - find their equivalent in the Trobriand Islanders' indigenous concept of "karewaga".

Abstract

The Trobriand Islanders complex eschatological belief system explains in detail what happenes when a Trobriander dies. Bronislaw Malinowski described the essentials of this belief system in his famous articles "Baloma: the Spirits of the Dead in the Trobriand Islands" and "Myth in Primitive Psychology" In these papers he also presented the Trobrianders belief in the fact that a spirit of the dead, a "baloma" can be reborn; in connection with this myth he claimed that the Trobrianders are actually unaware of the father's role as genitor. This talk presents not only a critical review of Malinowski's ethnography of Trobriand eschatology, it also documents highly ritualized songs - the "wosi milamala" the songs of the harvest festival - which are sung in an archaic variety of Kilivila - the "biga baloma" - the language of the spirits of the dead. In these songs the Trobriand Islanders have codified many aspects of their eschatological belief system. It seems that Malinowski was not aware of these songs. Thus this talk provides for the first time a comprehensive ethnographic overview of Trobriand eschatology. Until the mid 60s of the last century the Trobrianders used the "biga baloma" to communicate with the spirits of the dead; however, in the meantime the sungs are still sung during the harvest festival and after the death of a Trobriander, but there are only a few people left who still understand the "wosi milamala". They are a moribund genre of Kilivila - and with them the Trobriand Islanders' complex indigenous eschatology will vanish.